Dune

Oscars 2022: From Dune, The Power Of Dog to CODA, a streaming guide to Best Picture nominations this year

Wondering where the Best Picture Oscar nominees of this year are streaming in India? We got you covered. Check out the details here.

BAFTA 2022 highlights: Dune leads winners list; organisers, host Rebel Wilson send messages of support for Ukraine

Jane Campion was named best director for The Power of the Dog, becoming only the third woman to win the prize in the awards’ seven-decade history.

Oscars 2022: With seven Best Picture nominations being adaptations, literature emerges as ripe source of storytelling

From Dune and Drive My Car to West Side Story and CODA, seven out of 10 Best Picture nominations at Oscars 2022 are adaptations of books, short stories, musicals or films.

Oscars 2022: How music is an integral character in all top nominations, musicals or not

While there are films like West Side Story and Tick, Tick...Boom! that have music as a part of their theme and motifs, there are others who have little to do with the tunes but everything to do with how beneficial a good melody can be.

Oscars 2022: Tracing the genius of Hans Zimmer, that runs through 12 nominations and a singular win

Hans Zimmer, who has received 12 Oscar nominations for Best Score, including for Christopher Nolan films like The Dark Knight and Dunkirk, chose Dune over the filmmaker's Tenet, scoring his 12th nomination in the process.

Oscars 2022: Streaming dominates nominations again, with Netflix's The Power of the Dog, Apple TV's The Tragedy of Macbeth

Oscar voters rewarded Netflix, Apple TV+, and Amazon films with nearly 40 Oscar nominations — 27 for Netflix alone, with Jane Campion’s Western The Power of the Dog recognised in an impressive 12 categories, including best picture.

BAFTA Awards 2022: Dune, The Power of The Dog, Belfast dominate

Rebel Wilson is set to host the BAFTAs ceremony on 13 March.

A solemn, low-profile Golden Globe Awards serves as a reminder of the existential churning Hollywood is undergoing

Suddenly, 2022 is looking eerily similar to 2021. Hollywood is seeing the movie business’s best form of advertisement undercut in a year when films desperately need it.

83, Sardar Udham, Pushpa, Spider-Man: No Way Home — are two-hour-plus long movies the post-pandemic normal?

"If the content is strong enough, the run time of three hours is also less, but if the content is weak, even a short film becomes unbearable," says leading film trade analyst Taran Adarsh.

In a year where crowdpleasers haven't been able to lure crowds, does Spider-Man: No Way Home have a shot at Oscars?

Are audiences really so skittish about seeing the most acclaimed films of the year? Or have these movies simply struggled to make the case that they are worth watching?