Tawaifs

From temples to royal courts, and the proscenium stage: A social history of Indian performance spaces

A proscenium stage born in the West posits a distance between audience and performer to offer a visual experience. Yet, why is it that classical dance, which vehemently claims its origins in a text on Indian aesthetics, most widely performed on a proscenium stage? The history of performance spaces in India is a deeply sociological one.

Tawaifs and tehzeeb: Notes from a symposium on courtesans' contributions to art, freedom struggle

Though pop culture and notions of Victorian morality led many to think of them as the 'other woman' or women of 'low character' who broke up marriages and enticed men, the story of the tawaifs is far different – and much more complex. They were artists of high calibre, who were expected to be trained in classical music and dance (Kathak); notably, they contributed immensely to the musical genres of the bandish and thumri. Though they were strictly non-combatants, they played a significant role in the struggle against the British by hiding weapons and rebels.

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Since Modi would attend the SCO summit in Bishkek in mid-June, his special bilateral meet with the chair of the SCO a fortnight before was a smart move.