Dastaanedilrubai

Dastaan-e-Dilrubai: Revisiting the poetic tradition and artistic legacy of Chanda, better known as Mah Laqa Bai

This week in #DastaanEDilrubai, a series by Shreya Ila Anasuya: Chanda, or Mah Laqa Bai, was a contemporary of Mir, Dard and Sauda. Scholars agree that she was among the first, if not the first woman to have published her own diwan of Urdu poetry.

Dastaan-e-Dilrubai: Mukhtar Begum's music moved a world that desperately needed her magic

As the world reels from the spread of a pandemic and is forced to reckon with the breakdown of its known systems, perhaps those of us who have the means to do so can seek a quiet moment to find Mukhtar Begum's music, and let it change us | From #DastaanEDilrubai, a series by Shreya Ila Anasuya.

Dastaan-e-Dilrubai: Remembering Jahanara Kajjan, whose incandescence burned briefly, but brightly

Little is known about Jahanara Kajjan, a singer-actress who was active in the 1920s and 1930s, on the stages of the Parsi theatre in Calcutta, and in early cinema, and whose 105th birth anniversary was observed in February 2020. What we do know about her makes one lament the limitations of the Indian film archive, particularly lacking in information about the interiority of the women who were crucial to the making of the film industry — not only in Bombay, but in regional centres such as Calcutta and Madras. Introducing #DastaanEDilrubai, a new series by Shreya Ila Anasuya.