Laal Kaptaan hairstylist Darshan Yewalekar deconstructs process of designing Saif Ali Khan's Naga sadhu headgear
Laal Kaptaan hairstylist Darshan Yewalekar talks about designing Saif Ali Khan's striking headgear in Laal Kaptaan, and collaborating with Ranveer Singh on all his hairstyles.
Pritam talks about how challenging it was to translate the emotion of The Sky Is Pink into a soundtrack, and why 'Zindagi' song is special because of Gulzar's lyrics.
National Award-winning choreographer talks about why she signed a multilingual film like Saaho amidst all her recent movies by Yash Raj Films and Salman Khan.
Ritesh Shah on writing Batla House, Pink's Tamil remake, and reuniting with Shoojit Sircar for Sardar Udham Singh
Batla House writer Ritesh Shah collaborates with director Nikkhil Advani after D-Day, and actor John Abraham after Force 2 and Rocky Handsome.
Mukesh Chhabra on casting for Jabariya Jodi, Super 30, Kabir Singh, and prospects streaming services offer
Mukesh Chhabra talks about the films and streaming service shows he has cast for recently, and whether the digital world has opened a whole new can of worms.
Khandaani Shafakhana director Shilpi Dasgupta on why she chose Sonakshi Sinha to front a film on sex
Shilpi Dasgupta discusses why a woman actor like Sonakshi Sinha was important to cast as the lead in her directorial debut Khandaani Shafakhana.
British cinematographer Ewan Mulligan talks about collaborating with Anubhav Sinha for the fourth time, and how he helped realise his vision of Article 15.
Manish Malhotra on designing for millennials in Student Of The Year 2, and evolution of college fashion in Bollywood
In an exclusive interview, Manish Malhotra talks about styling Alia Bhatt from Student Of The Year to its sequel, and his evolving relationship with Karan Johar.
Guneet Monga on Indian cinema going global, 10 years of Sikhya Entertainment, and fall of Phantom Films
Guneet Monga says Netflix is a boon for a boutique production house like hers which takes pride in the competitive budgets of their films like The Lunchbox.
Baazaar production designer Shruti Gupte on recreating Bombay Stock Exchange, and Mumbai of the uber rich
"In Baazaar, we've managed to bring the city in only where we needed it. We haven't oversold it or abused its skyline," says production designer Shruti Gupte.
Swanand Kirkire on reuniting with Pradeep Sarkar for Helicopter Eela, and why rehashes make him jobless
Swanand Kirkire goes down the memory lane for 'Yaadon Ki Almari' as smoothly as getting into the head space of a college kid for 'Mere Mamma Ki Parchai'.
AndhaDhun editor Pooja Ladha Surti on reuniting with Sriram Raghavan, and open ending of the latest thriller
AndhaDhun editor Pooja Ladha Surti says the ending of Sriram Raghavan's later thriller is "exactly what you want it to be".
Manan Mehta, VP, Marketing and Merchandising, Yash Raj Films discusses the Sui Dhaaga challenge, Varun Dhawan and Anushka Sharma's inputs and the Mamta memes.
Amit Trivedi on reuniting with Anurag Kashyap in Manmarziyaan: 'He sets me free from all my inhibitions'
"Anurag sets me free from all inhibitions because he himself does not cater to any restrictions," says Amit Trivedi, who rose to fame nine years ago with Kashyap's Dev.D.