Netflix Movies

Dhamaka and Drushyam 2 to Jai Bhim and Finch: Best streaming picks from November

What remained during the month was not always brilliant, but sufficiently exciting, if not consistently so, then frequent enough to be considered encouraging. Take a look at some of November’s best.

The Highwaymen movie review: Kevin Costner-Woody Harrelson starrer is hobbled by its half-heartedness

John Lee Hancock’s new film The Highwaymen is a dangerous project. One must give credit to the director for having taking it up, despite knowing its attempt to straighten the record would go against a well-established cultural notion — that of the Robin Hood-esque fame notorious outlaws Bonnie Elizabeth Parker and Clyde Chestnut Barrow (popularly known as Bonnie and Clyde) had attained in Depression-era America.

The Outlaw King movie review: Chris Pine makes for a convincing rebel in this Scottish historical drama

The Outlaw King, despite the slightly cookie-cutter quality of its David vs Goliath narrative, is made compelling by the performances of Chris Pine, Aaron Taylor-Johnson, Stephen Dillane and Florence Pugh

A Prayer Before Dawn movie review: Courageous and feral, this 'prison film' is an enriching experience

A Prayer Before Dawn stops an inch or two short of true greatness

Quincy movie review: Netflix's biopic-documentary fails to make us intimate with a ridiculously talented man

While Quincy can be illuminating to audiences not entirely familiar with a legendary record producer’s innumerable facets, it doesn’t present anything truly engaging for a music lover

The Most Assassinated Woman In The World movie review: Unsalvageable, even by a splendid Anna Mouglalis

Hackneyed ideas are treated crudely in The Most Assassinated Woman In The World

Sierra Burgess Is A Loser movie review: Netflix's faltering teen romance is saved by its sweetness

Noah Centineo is the real winner of Sierra Burgess is A Loser

The Warning movie review: A wasted opportunity to intelligently, emotionally explore mysteries of fate

Daniel Calparsoro’s El Aviso (The Warning), the new Spanish language Netflix release, is a missed opportunity

Birthmarked movie review: A fun take on the nature versus nurture debate that turns hackneyed

Birthmarked’s great triumph lies in communicating its true message through the innocent yet remarkably clear sighted eyes of children at play

The Devil and Father Amorth movie review: The Exorcist's shadow looms large on Friedkin's new documentary

Admirers of The Exorcist might find material that whets their appetite sufficiently to canter through The Devil and Father Amorth