72nd Festival De Cannes

Deerskin review: Jean Dujardin is dressed to kill in Quentin Dupieux’s latest surreal comedy

Deerskin, the latest entry in the Dupieuxverse, is an oddly engrossing, off-kilter comedy about a man who develops an all-too-unhealthy fetish for his fringed suede jacket.

Atlantique review: Mati Diop combines Djibril Mambety's avant-garde sensibilities with Claire Denis' visual poetry

Atlantique departs from the conventions of your typical sociorealist fables with some truly transformative moments of visual poetry.

Once Upon a Time in Hollywood movie review: Quentin Tarantino film buoyed by Leo DiCaprio, Brad Pitt's performances

Once Upon a Time in Hollywood is a celebration of the kind of films that first inspired Quentin Tarantino himself as a child.

Once Upon a Time in Hollywood new trailer offers more glimpses of Tarantino's homage to 1969 Hollywood

Set in 1969 Los Angeles, Once Upon A Time in Hollywood follows Rick Dalton as he finds it increasingly difficult to adjust to the evolving cinescape at the turn of the decade

It Must Be Heaven review: Elia Suleiman travels from Nazareth to Paris to New York in search of a new home

It Must Be Heaven, which saw Elia Suleiman return to Cannes after 10 years, showed yet again why he has often been considered a spiritual descendant of Chaplin, Keaton, Lloyd and Tati.

Lux Aeterna review: Gaspar Noe’s seizure-inducing essay on acting, suffering for art and #MeToo

Lux Æterna premiered out of competition in the Midnight Screening section at the 2019 Cannes Film Festival.

Rocketman movie review: Elton John biopic captures the musician's troubled life — tantrums, tiaras and all

The Elton John biopic Rocketman is a moving portrait of a man looking for love in all the wrong places amid the maelstrom of sex, drugs and rock 'n' roll.

Once Upon A Time in Hollywood trailer 2: Leonardo DiCaprio is a waning star, Brad Pitt his stunt double

Once Upon a Time in Hollywood is a tribute to the final moments of Hollywood's golden age.

Cannes 2019: Jim Jarmusch, Bill Murray, Selena Gomez on The Dead Don't Die and what terrifies them

The Dead Don't Die director Jim Jarmusch opens up on his latest film and why the zombie metaphor is still strong.

Cannes 2019 preview: Tarantino's return, the wide-open Palme d'Or race and the Netflix conundrum

Cannes Film Festival 2019 boasts an impressive array of films debuting in and out of competition, from your usual arthouse stalwarts to exciting new filmmakers.