Actors live on, even after they die. Their work, forever alive onscreen, outlives death. Ray Liotta reminds one of this adage with a masterful final act in _Black Bird_ , the true crime thriller on Apple TV +. Liotta died in May while shooting for a film, Dangerous Waters, in the Dominican Republic. Co-starring Demi Moore and Margaret Qualley , he passed away in his sleep at 67. In Black Bird, an adaptation of a successful novel In With the Devil by James Keene, he is meditative and intense, the one emotion that captures his best work to perfection. So far he has had a brief appearance as father to Jimmy Keene, the protagonist of this film. He plays Big Jim Keene, a veteran police officer who has crossed the line of law to his advantage, now battling guilt and a sense of inadequacy while his son is imprisoned. Black Bird is written by Dennis Kehane, and is addictive slow burn that gradually leads up to the complex quagmire that can emerge when someone tries to grapple with the unfathomable thought process of a serial killer. For an actor immortalized as the vulnerable and convincing Henry Hill in the Martin Scorsese classic _Goodfellas_ , Black Bird makes for a fitting curtan call. Ray Liotta will always be one of those unsung heroes in cinema who has had to work for every inch of his success and has carved a unique professional career playing memorable character parts. Liotta started acting in the Eighties, when a certain kind of film- about gangs, drugs, crime and cops- was the permanent flavour of Hollywood. Here he began looking out for work after having made a steady debut on TV shows. He pulled a favour by calling Melanie Griffith to land himself a part in Jonathan Demme’s underrated comedy drama, Something Wild. His character, appearing later than the film’s leads (Jeff Daniels and Griffith), kind of walks away with the film. Scorsese noticed Liotta in this part, and then both had to work through the tedious process of studio approvals and getting his producers on board to cast him as Henry Hill. Goodfellas (1990) is his most fondly remembered part because this fella is not a criminal. He is going along for the ride with a bunch of street smart efficient career criminals, who suck him into the whirlwind of fast money, fancy rides and the high life of a crime. Liotta fit the part for his eyes project vulnerability and his expressions switch from kind to cruel naturally. Before this, Liotta featured in an important part in the sports fantasy drama, _Field of Dreams_ (1989). Liotta played the ghost of baseball legend Shoeless Joe Jackson in this acclaimed film, and made impact with his performances.
Liotta’s career did grow steadily since then, but it is a sad fact of Hollywood’s propensity to focus on profitable films, that he, like many other actors of his generation, had a limited high phase. Commercial films banked on the same stars repeatedly, which left room for actors like Liotta to tackle complex character parts and avoid getting typecast. Liotta played a near unhinged cop, suspected to be a cocaine user in Copland (1997) alongside
Sylvester Stallone ,
Robert De Niro and
Harvey Keitel . A dark tale about the selfish and unlawful nature of New York City cops, Liotta stands out in this film. He worked through neo noir crime driven films, like The Place Beyond the Pines and Identity but his role as
Johnny Depp ’s father in Blow (2001) remains high on impact on recall. It’s the most crucial part other than that of Depp in this film, as the cocaine smuggler George Jung contrasts most of his actions to that of his father’s struggles in an understated manner here.


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