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Best Malayalam Films 2021: Ode to a woman rebel, a male superhero and unrelenting experimentation
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  • Best Malayalam Films 2021: Ode to a woman rebel, a male superhero and unrelenting experimentation

Best Malayalam Films 2021: Ode to a woman rebel, a male superhero and unrelenting experimentation

Anna MM Vetticad • December 29, 2021, 12:30:37 IST
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Between The Great Indian Kitchen and Minnal Murali flowed a stream of quality Malayalam releases so unrelenting, that I have struggled to restrict my Best Malayalam Films 2021 compilation to just 10.

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Best Malayalam Films 2021: Ode to a woman rebel, a male superhero and unrelenting experimentation

2021 began with a Malayalam film becoming a pan-India rage despite being released on a then brand new, completely unknown OTT platform, Neestream, after rejections by Netflix and Amazon (the latter subsequently changed its mind). The year ended with another Malayalam film breaking new ground for Indian cinema. Between _The Great Indian Kitchen_ and _Minnal Murali_ flowed a stream of quality Malayalam releases so unrelenting, that I have struggled to restrict my Best Malayalam Films 2021 compilation to just 10. Hence, a large collection of Special Mentions.   Each film on this list was either released in theatres during the brief respite from pandemic-related lockdowns or on an OTT platform at some point in 2021. It is a measure of our changing times that a lovely documentary I watched this year fulfills this criterion.   Binge watchers, fasten your seat belts. Here is my list: Best Film: The Great Indian Kitchen (Mahaththaya Bharatiya Adukkala) Director: Jeo Baby Click here for the review of _The Great Indian Kitchen_

A still from The Great Indian Kitchen (1)

_Minnal Murali_  Director: Basil Joseph Click here for the review of _Minnal Murali_   Tovino Thomas in and as Minnal Murali _Malik_ Director: Mahesh Narayanan Click here for the review of _Malik_

malik-review_d

**8-1/2 Intercuts **  Director: Lijin Jose Click here for the review of _8-1/2 Intercuts_   KG George & Selma _Nayattu_ Director: Martin Prakkat   Click here for the review of _Nayattu_ A still from Nayattu Biriyaani Director: Sajin Baabu   Click here for the review of _Biriyaani_

biriyaani

Joji Director: Dileesh Pothan Click here for the review of   _Joji_   Fahadh Faasil in and as Joji _Thinkalazhcha Nishchayam_ Director: Senna Hegde Click here for the review of   _Thinkalazhcha Nishchayam_   Still from Thinkalazhcha Nishchayam _Drishyam 2_ Director: Jeethu Joseph Click here for the review of   _Drishyam 2_  

drishyam2

_Jan-E-Man_  Director: Chidambaram Click here for the review of _Jan-E-Man_  

jan-e-man 640

SPECIAL MENTIONS:  _Musical Chair_   Director: Vipin Atley 1956, Central Travancore   Director: Don Palathara _Bhramam_   Director: Ravi K Chandran _Kaanekkaane_ Director: Manu Ashokan _Sara’s_ Director: Jude Anthany Joseph   _Chathur Mukham_   Directors: Ranjeet Kamala Sankar and Salil V _#Home_   Director: Rojin Thomas   Operation Java   Director: Tharun Moorthy   _Sunny_   Director: Ranjith Sankar   _Santhoshathinte Onnam Rahasyam_   Director: Don Palathara   Anna M.M. Vetticad is an award-winning journalist and author of The Adventures of an Intrepid Film Critic. She specialises in the intersection of cinema with feminist and other socio-political concerns. Twitter: @annavetticad, Instagram: @annammvetticad, Facebook: AnnaMMVetticadOfficial RELATED LINKS: Jeo Baby Director’s Cut: On The Great Indian Kitchen, piracy, censorship, Sabarimala and a fear of right-wingers among TV channels Mahesh Narayanan Director’s Cut: On being labelled Islamophobic, Malik, Take Off and his Hindi debut Sajin Baabu Director’s Cut: On Biriyaani, Kani Kusruti, Islamophobia and his scrutiny of the Muslim community  

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