The Lost Daughter

Oscars 2022: Olivia Colman may be 'The Favourite' — but here's why I don't want her to win Best Actress again

I want Olivia Colman to escape the morbidly respectable fate of becoming a multiple Oscar winner while she is still just in her 40s. She is too dynamic and too interesting for such overrated honours.

How shows like The Fame Game, and films like Tribhanga, Shakuntala Devi are finally embracing the idea of flawed motherhood

A common theme in the West, the idea of flawed motherhood and the mother's guilt had been pushed under the carpet by Hindi cinema for the longest time because it is uncomfortable to address.

Oscars 2022: Streaming dominates nominations again, with Netflix's The Power of the Dog, Apple TV's The Tragedy of Macbeth

Oscar voters rewarded Netflix, Apple TV+, and Amazon films with nearly 40 Oscar nominations — 27 for Netflix alone, with Jane Campion’s Western The Power of the Dog recognised in an impressive 12 categories, including best picture.

A solemn, low-profile Golden Globe Awards serves as a reminder of the existential churning Hollywood is undergoing

Suddenly, 2022 is looking eerily similar to 2021. Hollywood is seeing the movie business’s best form of advertisement undercut in a year when films desperately need it.

With The Lost Daughter, director Maggie Gyllenhaal gives unique spin to well-known tropes of art cinema narratives

The influences of filmmaking greats like Asghar Farhadi and Ingmar Bergman are quite evident in The Lost Daughter, Maggie Gyllenhaal's directorial debut on Netflix, starring Olivia Colman.

Maggie Gyllenhaal on directing The Lost Daughter: 'Are domestic stories great art? To me, they're like an opera'

"I think that when women express themselves honestly, it looks differently than when men express themselves honestly. This is really dangerous to talk about," says Maggie Gyllenhaal.