Book review | Courting Hindustan: The consuming passions of iconic women performers of India

In the rich tradition of India’s cultural history, women have played pivotal roles that extend beyond conventional narratives. “Courting Hindustan” by Madhur Gupta unravels the fascinating saga of women who, for 2,500 years, adorned the realms of traditional Indian entertainment through music, dance, and poetry. This meticulously researched book presents a vivid panorama of women who not only practised these art forms but also rose to elite positions, challenging societal norms and contributing significantly to the cultural heritage of the nation. The author of the book Madhur Gupta is one of the leading Odissi dance maestros of his generation. He was trained with a maestro like Padma Vibhushan awardee Pandit Birju Maharaj. The book also includes a beautiful foreword written by Pandit Birju Maharaj. The narrative begins in ancient India, where women actively competed for the prestigious title of Nagarvadhu, signifying the town’s consort. In the intricate rituals of temple worship, dance and music were indispensable, with women artists known as Devadasis and Maharis holding esteemed positions. Their high rank and dignity in society were integral to the cultural fabric of the time, emphasizing the symbiotic relationship between art and spirituality. Within the pages of “Courting Hindustan,” Madhur Gupta offers glimpses into the lives of dynamic performers. [caption id=“attachment_13404132” align=“alignnone” width=“211”] Book: Courting Hindustan: The Consuming Passions of Iconic Women Performers of India
by Madhur Gupta | Published by: Rupa & Co.| Price: 295[/caption] In “Courting Hindustan,” author Madhur Gupta explores and honours India’s cultural legacy by spotlighting the remarkable women performers who have significantly contributed to its enrichment. The book contends that traditional accounts, whether drawn from folklore, mythology, or history, have disproportionately favoured male characters, neglecting the untold stories of resilient women who could have forged formidable paths if the spotlight weren’t consistently fixated on hypermasculine figures. Moving forward in time, the author Gupta also tells of the Mughal era, where Tawaifs emerged as central figures in court culture during the sixteenth century. These women were not merely entertainers but played a crucial role in imparting refinement, known as “tameez” and “tehzeeb,” to young heirs. The intersection of music, literature, and etiquette created a cultural synergy that persisted through generations. The book serves as a bridge between the past and present, celebrating the enduring legacy of women who defied societal expectations and contributed significantly to India’s cultural landscape. The book “Courting Hindustan” delves deep into the lives of courtesans who transcended their roles to become empresses, queens, and pioneers in various fields. Gupta meticulously traces their evolution from the confines of social fringes to positions of great power. For example, from the poignant abandonment of Roopmati to the administrative acumen of Begum Samru, the bravery of Begum Hazrat Mahal, and the innovative brilliance embodied by Gauhar Jaan and others. The narrative not only highlights the artistic contributions of these women but also underscores their resilience and determination. While reading we feel that the book also pays homage to these trailblazers who navigated an entrenched patriarchal society, challenging norms and breaking free from societal constraints. Their lives and artistry became a complex response to social forces and cultural conditions, paving the way for future generations of women to assert themselves and conquer new frontiers. Gupta’s elegant prose weaves together the stories of these women, creating a compelling narrative that captures the imagination of readers. However, they intentionally refrain from delving into a critical domain that might challenge normalised versions of social history. The book tactfully avoids unpacking the intricate connections between these stories and the broader aesthetics and politics of performing arts, ensuring a nuanced exploration that doesn’t disrupt established historical paradigms. The book “Courting Hindustan” is a masterfully crafted exploration of the lives of women who were not only elite performers but also trailblazers and pioneers. They managed to thrive in a society that often sought to confine them, embodying the spirit of empowerment, and paving the way for subsequent generations. Through their artistry, they transcended societal constraints, leaving an indelible mark on the cultural heritage of India. This book serves as a perfect example of the enduring spirit of women who, against all odds, forged their paths and paved the way for future generations. The author is a Bengaluru-based management professional, curator, and literary critic. He can be reached at ashutoshbthakur@gmail.com. Views expressed in the above piece are personal and solely that of the author. They do not necessarily reflect Firstpost_’s views._ Read all the  Latest News,  Trending News,  Cricket News,  Bollywood News, India News and  Entertainment News here. Follow us on  Facebook,  Twitter and  Instagram.