Akshay Kumar is a prolific star, whose latest film
Atrangi Re
began streaming on Disney + Hotstar on 24 December. Those who follow Hindi films but have not watched it would still know that
he plays a magician
who performs on a grand stage, rides an elephant on the street, and sets himself on fire. These moments are shown in the trailer that conceals more than it reveals. While Akshay has a supporting role for which he has to summon his acting skills for a couple of sequences, Atrangi Re that has given rise to extreme reactions is not the kind of film in which he would have made an appearance for the most part in his three-decade-long career. Fifty-four years old, he, in recent years, has been eager to play characters that have added an element of variety to his list of performances. There was a phase when he appeared in several films that placed national interest and concerns above everything else. In the satire
Toilet: Ek Prem Katha
(2017) that promotes the need for better sanitation conditions in rural India, he is a husband married to a woman who is opposed to open defecation.
In Gold: The Dream That United Our Nation
(2018), he is a sports official who finds the right players and motivates the Indian hockey team to triumph at the 1948 Berlin Olympics. In
PadMan
(2018) based on a Twinkle Khanna story inspired by Arunachalam Muruganantham, who invented the low-cost sanitary napkin machine, the actor plays a man who does the same. In the historical drama
Kesari
(2019), he heads a 21-man Sikh military unit of the British Indian Army that takes on the might of 10,000 Afghans in the Battle of Saragarhi. All these films weren’t uniformly praised. But each one of them allowed him to appear in a different onscreen avatar while also doing good business. Akshay’s brand value has been significantly dependent on his identity as an action hero capable of performing his stunts and delivering exciting moments in fight sequences. He has also appeared in comedies, many of them panned by the critics, in which he has given gut-busting moments of the viewer-friendly variety. Not surprising, therefore, is why he has continued to appear in films of the Housefull franchise, whose last release was its fourth instalment
Housefull 4
(2019). It was a commercial success with all the predictable elements associated with this series of comedies. But he did gamble by acting in
Good Newwz
(2019), a successful offbeat comedy about a situation in which two married couples sharing the same surname land up in the same IVF clinic. However, there is big trouble after the sperm of the two men, one of them played by Akshay, gets mixed up. When one tries to experiment with ideas, errors are inevitable. Akshay’s biggest recent blunder was acting in the over-the-top horror-comedy
Laxmii
(2020), the first big-budget Hindi film released on an OTT platform. Playing the character of a rationalist possessed by the ghost of a transgender person, his pathetic performance and the shabby screenplay resulted in a cinematic fiasco. The Rohit Shetty action drama
Sooryavanshi
, the first blockbuster after the beginning of the Covid-19 pandemic, is a typical Bollywood masala mix. But it was good to see the well-known easy confidence with which he flaunts his naturally grey sideburns along with signs of ageing on the face. Does the fact that he plays the middle-aged hero with honest realism in a Bollywood biggie merit praise? It does, regardless of whether or not Shetty wanted it that way, while also reminding the viewer that he cannot do ‘maar-dhhad’ and play the lover boy as the male lead in formula-driven films for much longer.
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