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Not R. Madhavan, Mani Ratnam wanted to make 'Alai Payuthey' with Shah Rukh Khan: 'He liked it but...'
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  • Not R. Madhavan, Mani Ratnam wanted to make 'Alai Payuthey' with Shah Rukh Khan: 'He liked it but...'

Not R. Madhavan, Mani Ratnam wanted to make 'Alai Payuthey' with Shah Rukh Khan: 'He liked it but...'

press trust of india • January 26, 2025, 08:45:36 IST
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The filmmaker said he finally cracked the ending of “Alai Payuthey” during the making of his 1998 film, “Dil Se”

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Not R. Madhavan, Mani Ratnam wanted to make 'Alai Payuthey' with Shah Rukh Khan: 'He liked it but...'

Filmmaker Mani Ratnam on Saturday said that he initially thought of making his 2000 hit “Alai Payuthey” with Shah Rukh Khan and Kajol but then dropped the idea as he was unable to crack the climax of the film.

The Tamil-language romantic musical starred R. Madhavan and Shalini and was later remade in Hindi as “Saathiya” with Rani Mukerji and Vivek Oberoi. The film revolved around two young people who elope and get married but soon cracks start to appear in their marriage.

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“What I had planned to do with Shah Rukh was ‘Alai Payuthey’. I wanted to do it with Shah Rukh and Kajol and I told him the story and he had agreed. But I had not cracked the last element of the story.

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“If you’ve seen ‘Alai Payuthey’ it is built around one day and we keep going back to that one day, and when the accident happens and the wife is missing, and he is searching through it. So, that element I didn’t have it at that point in time. So, we shifted to ‘Dil Se’,” Ratnam said at the open forum of G5A Retrospective.

The filmmaker said he finally cracked the ending of “Alai Payuthey” during the making of his 1998 film, “Dil Se” which featured Shah Rukh and Manisha Koirala in lead roles.

“Once I was finishing ‘Dil Se’, I was able to solve this problem , and I was still interested in doing it ,” Ratnam added.

“Saathiya”, the Hindi version of “Alai Payuthey”, was directed by Shaad Ali.

Ratnam said every film goes through several changes during every step of the filmmaking — from inception to casting and editing.

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“You are never sure you got it correct.. . You are still trying. Even when you’ve written fully, when you shoot, you are looking for something more because it’s still getting constructed.

The director said films are “pieces of people and bits of life” and one tries to make them appear like a “reflection of entire life”.

“You need to elevate it… Actors have to come and make it alive, if they don’t do so, you can shout at them,” he said, adding, the process of fine tuning continues even while editing

A three-day retrospective on Ratnam is being held from January 24 to 26 by not-for-profit organisation G5A at the G5A warehouse in South Mumbai.

Films such as “Nayakan”, “Bombay”, “Raavan”, “Kannathil Muthamittal”, “Kaatru Veliyidai”, “Alai Payuthey”, and “Iruvar” will be screened at the retrospective.

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