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'Dhurandhar' Box-Office: Ranveer Singh-Aditya Dhar's spy drama enters the Rs 500 crore club, all set to beat 'Pathaan,' and 'Gadar 2'
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'Dhurandhar' Box-Office: Ranveer Singh-Aditya Dhar's spy drama enters the Rs 500 crore club, all set to beat 'Pathaan,' and 'Gadar 2'

FP Entertainment Desk • December 20, 2025, 12:24:42 IST
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A box office phenomenon, Jio Studios & B62 Studios’ Aditya Dhar directorial surges past the Rs 500 crore landmark at record speed, rewriting box office history, powered purely by audience love

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'Dhurandhar' Box-Office: Ranveer Singh-Aditya Dhar's spy drama enters the Rs 500 crore club, all set to beat 'Pathaan,' and 'Gadar 2'

Two weeks of firsts, records and relentless dominance and Dhurandhar has stormed into its third weekend with a decisive Friday hold despite new releases, posting a powerful ₹23.70 crore nett (India) on Friday, Day 15, officially crossing the ₹500 crore nett mark in India, the fastest ever.

The surge once again led to midnight shows being added across key centres to meet unprecedented audience demand.

Break-up:

Week 1: ₹218.00 crore
Week 2: ₹261.50 crore
Day 15, Friday: ₹23.70 crore

STORY CONTINUES BELOW THIS AD

TOTAL (INDIA): ₹503.20 crore NETT

A box office phenomenon, Jio Studios & B62 Studios’ Aditya Dhar directorial surges past the Rs 500 crore landmark at record speed, rewriting box office history, powered purely by audience love and an unstoppable demand curve.

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Ram Gopal Varma praises Dhurandhar

In a thoughtful note, Ram Gopal Varma penned down his thoughts about Dhar’s latest directorial outing, ‘  _Dhurandhar_’, calling it a “quantum leap in Indian cinema.”

The filmmaker wrote a long review and tweeted- “What  Dhurandhar achieves is not just scale, but a never before experienced vision not just in sight but in the mind . Aditya Dhar doesn’t direct scenes here… he engineers the states of minds of both the characters and us audience The film doesn’t ask for your attention.. it commands it. From the very first shot , there’s a sense that something irreversible has been set in motion, and the audience is no longer a spectator but an accomplice to the happenings on screen.”

RGV added, “When the final credits roll, you don’t feel just entertained, you feel altered. And that’s the mark of a filmmaker who isn’t just making movies, but he is reshaping the very ground that all us film makers stand on.”

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Aditya Dhar reacts

“Thank you for this generosity, this madness, and this validation. The fan in me is overwhelmed. The filmmaker in me feels challenged. And the boy who came to Mumbai to work under RGV… finally feels seen.”

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