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Inside KGF art director Shivakumar J's drawing board, and his fictional world of Narachi
KGF: Chapter 2 movie review — Prashanth Neel, Yash hit it out of the park with this testosterone-filled sequel
Inside RRR universe with cinematographer KK Senthil Kumar, his two-decade long association with SS Rajamouli
The H Vinoth interview | 'I prefer working with people who see merit in wanting to tell a story that discusses issues'
Priyamani opens up on what intrigued her towards Aha's 'home-cooked' thriller Bhamakalapm
One Cut Two Cut movie review: Danish Sait's charm upholds this rib-tickling comedy
Halitha Shameem deconstructs her short Loners on Putham Pudhu Kaalai Vidyaadhaa: 'Writing it was therapeutic, healing'
How village cooking channels on YouTube blend the traditional and the modern, my simple past with the digital future
Humble Politiciann Nograj review: Danish Sait's irreverent political satire is an extremely refreshing watch
Prabhudeva on playing cop for the first time with Pon Manickavel, lack of dance songs in Tamil cinema
What makes me return to the unapologetic, unadulterated sweetness of the Sooraj Barjatya extended universe
Suriya on bringing Justice K Chandru's life to reel with Jai Bhim: 'He is a change-maker, a beautiful disruptor'
'Theatres are geared towards male-led films, I feel OTT is our space': says Jyothika, ahead of 50th film Udanpirappe
Sivakarthikeyan revisits past, analyses present: “My idea of progress is not one-note”
Sai Pallavi on reuniting with Sekhar Kammula for Love Story: 'He helps me keep my character in check'
Sekhar Kammula on Love Story: Tried to represent caste discrimination in the way I can
Inside 2D Entertainment's four-film deal with Amazon Prime Video India: Why Suriya's productions are going digital