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To fill vital gaps in dance education, three educators address how a more critical practice could be achieved
With its emphasis on training rather than education, ‘learning’ in classical dance requires an urgent and critical rethink
Davesh Soneji on Indian classical dance, working with hereditary artists: 'We need a new, radical epistemology and political grammar'
At a time of nationwide protests, India's classical artists are missing a culture of dissent, and this needs fixing
Classical dance and appropriation: How to think about a field whose foundations rest on cultural violence
From temples to royal courts, and the proscenium stage: A social history of Indian performance spaces
How the Indian classical dance industry created a troubling culture of dependency on marriage
On Indian media's role in depoliticising discourse around classical dance, and the need for change