Orchestral performance in Jerusalem to feature lost music composed by Nazi concentration camp victims

Rome: A quest over 30 years by an Italian musician to track down music composed by Nazi concentration camp victims will reach fruition in April with the first orchestral performance in Jerusalem, a media report said on Thursday. Francesco Lotoro, a music teacher, composer and pianist, tracked down thousands of songs, symphonies and even operas composed in Nazi concentration, forced labour and prisoner of war camps in Germany and elsewhere before and during the Second World War, the Guardian report said. Lotoro’s search for the lost music involved scouring bookshops and archives as well as interviewing Holocaust survivors. [caption id=“attachment_4372299” align=“alignleft” width=“380”]  File image of a concentration camp. Reuters[/caption] He accumulated about 8,000 pieces of music, including scores written on scraps of scavenged paper, toilet paper and newspaper, composed in allied as well as axis camps. Some of the music will be performed for the first time. It will be heard at a concert by Israel’s Ashdod symphony orchestra in Jerusalem among events marking the 70th anniversary of the founding of the state of Israel. Among the pieces to be performed for the first time in public is a song written by the Jewish musician, author and poet Ilse Weber, who worked as a nurse in the hospital at Theresienstadt concentration camp and taught some of her compositions to the children in the camp. When Weber’s husband, Willi, was deported to Auschwitz in 1944, she also voluntarily transferred with their young son, Tommy. The family were all gassed. While none of the songs that Weber wrote in the camp were ever written down, one was memorised by Aviva Bar-On, a child whom she had treated in Theresienstadt — and Bar-On will sing it for the first time since the war. Other pieces to be performed include “Tatata” by Willy Rosen and Max Ehrlich, who, before their deportation from Westerbork to Auschwitz, managed to smuggle a folder of their manuscripts out of the camp, the Guardian report said. Describing the project, Lotoro said: “The compositions from the concentration camps are a world heritage, a legacy to those artists who despite losing their freedom in the most unimaginable circumstances persevered through their music…Through the concert, we are striving to both restore life and dignity to these artists.”