Park Chan-wook’s 2016 Korean thriller The Handmaiden shows how we react differently to physical and emotional violence
In The Handmaiden, we actually see the emotional abuse, but we flinch more at the physical violence, when those fingers are chopped off.
Forget the Oscars, welcome to the annual Firstpost Movie Awards — the only film felicitation segment where there is zero bias or lobbying — but only pure, deep, obsessive love for cinema.
This year's Best Film nominees feel like a reaction to #OscarsSoWhite. While Moonlight being nominated is good news, there are many other films that should have made the Oscars cut.
It’s time to talk about the real stuff from Cannes 2016 – the films
From star vehicles to prestige projects and indie gems, these are a few of the films that Cannes conversations will be all about in the days to come