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Cannes Classics 2020: Martin Scorsese restores The Hourglass Sanatorium to its hallucinatory glory
Reading JK Rowling’s tweets through the prism of Polish filmmaker Małgorzata Szumowska’s In the Name Of
Pawel Pawlikowski’s Ida and its non-dramatic drama: What it means for a film style to be 'transcendental'
Jio MAMI jury member Tomasz Wasilewski: I love watching Mira Nair's Monsoon Wedding
