Fool For Love movie review: Satarupa Sanyal helms a gentle, quiet little film about the wicked ways of love
Anupam Kant Verma • 7 years agoFool for Love never becomes anything more than a mood-piece, the film equivalent of chamber music that plays at the edge of your consciousness and vanishes without leaving a trace.
Rogan Josh movie review: Naseeruddin Shah's short film is a taut thriller that thrives on pregnant silences
Pratishrutiganguly • 7 years agoBased on 26/11 Mumbai terror attacks, Rogan Josh takes a poignant, microcosmic look at the damages that the terrorist attack caused to a family.
Waterbaby movie review: Immersive, sonorous nostalgic trip down boyhood's lane
Anupam Kant Verma • 7 years agoWaterbaby rekindles old memories and often even sail us away from the shores of adulthood.
Her First Time review: Divya Unny's directorial debut needs to be seen by as large an audience as possible
Anupam Kant Verma • 7 years agoDirected by debutante Divya Unny, Her First Time, the latest presentation by Large Short Films, is an exercise in economy and restraint.
Listener movie review: An empathetic tale that slips in a charming twist at the end
Anupam Kant Verma • 7 years agoListener is a film that respects its audience, stays true to its characters, gets the fundamentals right, takes a brave leap of imagination or two and lingers in the mind for hours | Large Short Films
Kartaa movie review: Bats for the millions who spend their days trying to eke out a living
Anupam Kant Verma • 7 years agoThis 20-minute long story of a small-time real estate broker, despite all its flaws, needs to be seen.
Skin of Marble movie review: Naseeruddin Shah's act can't rescue this throwback to worst of '90s Bollywood
Anupam Kant Verma • 8 years agoSkin of Marble is one of those films that basically serve as vehicles for a nostalgic trip to a cinematic past we are better off erasing once and for all.
Camouflage review: Purab Kohli, Sumeet Vyas compensate for this short film's failure to engage
Anupam Kant Verma • 8 years agoCamouflage ultimately fails to engage because in a set-up that’s limited to two people conversing across a table, the characters better have something interesting to say.