Large Short Films
Recent Highlights
All Stories for Large Short Films
Fool For Love movie review: Satarupa Sanyal helms a gentle, quiet little film about the wicked ways of love
Anupam Kant Verma •Fool for Love never becomes anything more than a mood-piece, the film equivalent of chamber music that plays at the edge of your consciousness and vanishes without leaving a trace.
Rogan Josh movie review: Naseeruddin Shah's short film is a taut thriller that thrives on pregnant silences
Pratishrutiganguly •Based on 26/11 Mumbai terror attacks, Rogan Josh takes a poignant, microcosmic look at the damages that the terrorist attack caused to a family.
Waterbaby movie review: Immersive, sonorous nostalgic trip down boyhood's lane
Anupam Kant Verma •Waterbaby rekindles old memories and often even sail us away from the shores of adulthood.
Her First Time review: Divya Unny's directorial debut needs to be seen by as large an audience as possible
Anupam Kant Verma •Directed by debutante Divya Unny, Her First Time, the latest presentation by Large Short Films, is an exercise in economy and restraint.
Listener movie review: An empathetic tale that slips in a charming twist at the end
Anupam Kant Verma •Listener is a film that respects its audience, stays true to its characters, gets the fundamentals right, takes a brave leap of imagination or two and lingers in the mind for hours | Large Short Films
Kartaa movie review: Bats for the millions who spend their days trying to eke out a living
Anupam Kant Verma •This 20-minute long story of a small-time real estate broker, despite all its flaws, needs to be seen.
Skin of Marble movie review: Naseeruddin Shah's act can't rescue this throwback to worst of '90s Bollywood
Anupam Kant Verma •Skin of Marble is one of those films that basically serve as vehicles for a nostalgic trip to a cinematic past we are better off erasing once and for all.
Camouflage review: Purab Kohli, Sumeet Vyas compensate for this short film's failure to engage
Anupam Kant Verma •Camouflage ultimately fails to engage because in a set-up that’s limited to two people conversing across a table, the characters better have something interesting to say.