Dress Didi
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Sooryavanshi to Satyamev Jayate 2, why the new-age police costume in Hindi cinema seldom goes beyond a khaki blur
Manjima Bhattacharjya •Gone are the days when the reference to a ‘police ki vardi’ referred to the sanctity of the uniform, and the police-protagonist was sometimes incorruptible, a symbol of integrity, or of simmering anger against the system in which they were a part.
The Morning Show is a stylish reminder that power dressing only lends false notion of authority in a man's world
Manjima Bhattacharjya •The Morning Show, Season 2 of which wrapped up this week, accentuates that power dressing remains more a money-spinner fashion vertical than a meaningful challenge to male power at the workplace.
Gender in cinema through the lens of costumes: How Rashmi Rocket uses styling to define who's 'seen' as a woman
Manjima Bhattacharjya •As far as defining gender through costumes in Hindi cinema is concerned, we have come a long way from Anjali in Kuch Kuch Hota Hai to Rashmi Rocket — but do not pop the champagne yet.