Amelie director Jean-Pierre Jeunet’s Micmacs shows us that a very distinct style can sometimes be a problem
An artist makes a mark because of the things that are unique to him (Amelie), and yet, when these traits become too unique, we move on (Micmacs).
Notes on cinematography and the Amélie cinematographer Bruno Delbonnel, who will be honoured at Cannes
Four-time Academy Award winner Bruno Delbonnel will be given the Pierre Angénieux ExcelLens honour in Cinematography at the 2019 Cannes Film Festival.
The letters in News from Home are so ordinary, so uneventful, that they become a stunning contrast to the letters we are used to in films like Casablanca.