In a new column, 'Category Error', Amruta Patil marries news-triggered observation with fiction, history, philosophy, against the backdrop of an Indian high rise.

Read more from the series here.


1 | Plague of Locusts

Unprecedentedly large swarms of desert locusts were flying into India, having made their way across Iran and Pakistan — the three nations were sullenly forced to collaborate on strategies to address the plague.

Thread-worn from the battering, breaking news, it was hard for people not to take this terrifying new development personally. Every time I think this year cannot get any worse, it finds new ways to attack us. Was it not enough that no one could leave home because anything at all — a sneeze, a contaminated doorknob — could kill them?

The writer in apartment B603 of Atlantis Co Operative Housing Society did not take the terrifying new development personally. Earmarked in her copy of the Bible was the section about 10 plagues leveling Egypt and its hard-hearted Pharaoh: 1) bloody ‘red tide’ of algae 2) inundation of frogs 3) infestation of lice 4) rampage of wild beasts 5) disease upon domesticated cattle 6) boils 7) fiery hail 8) plague of locusts 9) plague of darkness 10) the death of firstborns. Locked into mythology, observed the writer, these events are a record of natural history! The boils were likely caused by Staphylococcus aureus bacteria. The fiery hail by a volcanic eruption on Santorini Island. The darkness by eclipse or volcanic ash. And the locusts, not unlike those carpeting Jaipur and demolishing fields in Punjab.


The writer’s libertine beloved, also a writer, was interested in the pathology of locusts. Under specific climatic conditions, these solitary creatures did a behavioural about-turn and transformed into a highly gregarious phenotype. They grew stronger muscles. They changed from harmless dowdy brown into toxic yellow-black. Gathering into massive groups, reproducing furiously, they stormed across lands laying waste to all field and vegetation, eating almost everything human beings ate.

The transformation of locusts, the libertine noted, was no different than that of humans in a marauding communal mob.

The swarm was not a sum total of its components. It was a beast, a force in itself.

2 | News from Family


One of the watchmen housed gratis in apartment E101 of Atlantis Co Operative Housing Society was awaiting word from his family. Their home was hit by the Grade 5 tropical cyclone in East India — the compound wall had collapsed, there was no electricity, water or mobile network. In the flooded room, a dhurrie bobbed like an out-of-steam magic carpet.

Another watchman had a biradri brother in the North West, armed with pesticide, waiting for locusts to ravage the crop standing on the depleted soils of the fields he laboured in. The third watchman knew the Hanuman Chalisa by heart, and he quietly recited it for the benefit of them all.

Unbeknownst to them, all the watchmen (and all the buildings they guarded) were precariously perched atop a tectonic plate prone to shivering like a cow upon whose flanks flies had descended.

3 | An Eid Without Roohafza

The shopkeeper supplying provisions in the area had received half a dozen queries about the availability of Roohafza Sharbat from the sweet-voiced woman in B402 Atlantis. He was intrigued by her persistence. Was she young? Was she old? Was she seduced by the odd selection of fruits, roses and vegetables (carrots! spinach!), on that Garden of Eden-like label? Who drank Roohafza anymore? His own children only drank Sprite.

The shopkeeper’s godown had no Roohafza bottles.

Look somewhere, the woman pleaded. If nothing else, Dabur Sharbat-e-Azam will do. It escalated to a dire request, Send Mala’s Rose Syrup at least?


Oddly moved, the shopkeeper took it upon himself to score some Roohafza from a distant relative in another part of town, for the voice at the other end of the telephone. There hadn’t been much for her community to celebrate this year, he thought, little in the way of small pleasures and victories


Writer-painter Amruta Patil is the author of graphic novels Kari, Adi Parva: Churning of the Ocean, Sauptik: Blood and Flowers, and Aranyaka: Book of the Forest. On Instagram: @amruta_gauri