'The Scream' fetches record $119 mn at NYC auction

New York: One of the art world’s most recognisable images — Edvard Munch’s “The Scream” — sold Wednesday for a record $119,922,500 at auction in New York City. The 1895 artwork — a modern symbol of human anxiety — was sold at Sotheby’s. Neither the buyer’s name nor any details about the buyer was released. The previous record for an artwork sold at auction was $106.5 million for Picasso’s “Nude, Green Leaves, and Bust,” sold by Christie’s in 2010. Munch’s image of a man holding his head and screaming under a streaked, blood-red sky is one of four versions by the Norwegian expressionist painter. The auctioned piece at Sotheby’s is the only one left in private hands. [caption id=“attachment_296470” align=“alignleft” width=“380” caption=“The 1895 artwork — a modern symbol of human anxiety — was sold at Sotheby’s. Neither the buyer’s name nor any details about the buyer was released. AP”]  [/caption] The image has become part of pop culture, “used by everyone from Warhol to Hollywood to cartoons to teacups and T-shirts,” said Michael Frahm of the London-based art advisory service firm Frahm Ltd. “Together with the Mona Lisa, it’s the most famous and recognized image in art history.” A buzz swept through the room when the artwork was presented for auction as two guards stood watch on either side. Bidding started at $40 million with seven buyers jumping into the competition early. The battle eventually boiled down to two phone bidders as the historic hammer price was finally achieved after more than 12 minutes. The record price includes the auction house’s fee. Sotheby’s said the pastel-on-board version of “The Scream” is the most colorful and vibrant of the four and the only version whose frame was hand-painted by the artist to include his poem, detailing the work’s inspiration. In the poem, Munch described himself “shivering with anxiety” and said he felt “the great scream in nature.” Norwegian businessman Petter Olsen, whose father was a friend and patron of the artist, said he sold the piece through Sotheby’s because he felt “the moment has come to offer the rest of the world the chance to own and appreciate this remarkable work.” “I have lived with this work all my life, and its power and energy have only increased with time,” Olsen said. Proceeds from the sale will go toward the establishment of a new museum, art center and hotel in Hvitsten, Norway, where Olsen’s father and Munch were neighbors. Olsen said he was pleased with the auction sale and hoped publicity surrounding it would increase public interest in Munch’s work. Simon Shaw of Sotheby’s Impressionist and Modern Art Department in New York said, “If ever there was a work of art of true shock-and-awe, it was Edvard Munch’s ‘The Scream.’” The director of the National Museum in Oslo, Audun Eckhoff, says Norwegian authorities approved the Munch sale since the other versions of the composition are in Norwegian museums. One version is owned by the National Museum and two others by the Munch Museum, also in Oslo. Frahm had predicted the sale would break a record. He said it will show that great quality artworks can still come up for sale; that the top end of the market is driving further away from the rest of the market and that it’s a global market now where Asia and the Middle East are playing a more significant role than Europe and America. A total of nine works now have sold for $80 million or more at auction, according to Sotheby’s. Besides “The Scream” and Picasso’s “Nude, Green Leaves, and Bust,” only two other works have sold for more than $100 million at auction. Those are Picasso’s “Boy With a Pipe (The Young Apprentice)” for $104.1 million in 2004 and Alberto Giacometti’s “Walking Man I” for $104.3 million in 2010.