‘Government’ sleeps through all of Nitin R’s documentary Name|Place|Animal|Thing, which won the National Award for best anthropological/ethnographic film this year. ‘Government’ here is a man from the Hakki Pikki tribe, so named apparently because that’s the first thing his parents thought of after he was born.
The Hakki Pikkis (literally bird hunters) are a nomadic tribe based largely in Karnataka, who were “rehabilitated” in the 1970s once their trade of bird hunting was banned. They now live in villages around Bengaluru. The tribe follows a curious naming practice (or used to at least), where the parents named their new born child after the first word that came to their mind. “In our community, we name our children with anything that comes to our mind,” the chief of Bidadi village Viman says early in the film. Division, the chief of Bhootanahalli village, explains he was so named because his mother gave birth to him inside a sub-divisional office.
Director Nitin R, a second year student of sound recording and sound design for films at the Film and Television Institute of India, Pune, says he made Name|Place|Animal|Thing to “learn how to make a film”. Describing his inspiration for the documentary, he says, “A few years ago, I had just passed out from engineering college and was working with a software company and I stumbled upon (a) newspaper article about this tribe whose members had such strange names and follow(ed) some bizarre rituals. I had not gotten into filmmaking then but was thinking (about it). I thought I must make a movie on this someday… I never thought I could get into a film school then, and I figured the best way to learn filmmaking is to make a movie. So basically Name|Place|Animal|Thing is something that we did to learn how to make a film.”
Making Name|Place|Animal|Thing wasn’t easy, Nitin clarifies, “This documentary took three years to be made… There were financial hurdles at various stages and also since I didn’t know many people then, it was difficult to find people for certain things.” For ease of access he found work at a call centre on the outskirts of Bengaluru and moved there as well, spending his weekends doing research for the film. After three months of doing this, once he had enough money to start the filming, he put together a crew — made up of his friends who were also interested in filmmaking but, like him, had no formal training. Nitin ended up directing, recording sound and editing the film.
Name|Place|Animal|Thing opens to an endearing montage of people saying out their names and cuts back to their portraits several times through the course of the film. The curious naming practice is on the decline, however, as the tribe has adjusted to their new living conditions. “So now most of these strange names are found only among the older folks,” says Nitin.
The community doesn’t identify with being Hindu, Muslim or any other religion, but simply as Hakki Pikki. Two men in the film tell us their way is to be happy; whether someone dies or is born, they drink alcohol and make a celebration out of it. “If there is a wedding, we get drunk! If someone dies, we get drunk! If a child is born, we get drunk! That’s how we roll. We try to be happy all the time. Even when someone dies we don’t cry or anything, we all get together and drink alcohol!”
The 23-minute-long film delves into the community’s other curious practices as well. Men do the bulk of the talking in the film, and seem proud of the fact that in their community, the cost of weddings is borne by the groom and his family, and they also have to pay dowry to the bride’s people. But they allow two marriages for men, and it is essential that virginity be maintained until one's nuptials. There are purity tests for suspected rule breakers involving hot charcoal, a heated piece of iron and rice grains, but these are carried out rarely since the community marries their children off early “to be safe”. Eight-year-old girls and 11-year-old boys are considered ready for marriage, says Viman in the film.
Though Name|Place|Animal|Thing isn’t explicitly political, it raises the question of whether “rehabilitation” has done this nomadic community any good. Members of the community describe how they rarely contracted diseases earlier, but are now more susceptible to colds, coughs and fevers.
“Jungle (life) was good. Now the government has built us houses and provided us shelter, we don’t have to struggle during rains and other harsh weather conditions. Our people have started wearing proper clothes. Earlier we didn’t even wash them. We never used water even after defecation and all. Now the government has given us water. We have started using water regularly. Otherwise we bathed just four times a year because we were in the water all the time… in the rain and other water bodies.. What is the point of bathing then?” Viman asks in the film.
Nitin says of the rehabilitation, “I’m not really an expert on the subject … but I think it should be something that needs to be debated when you’re uprooting a whole community from one place where they have been living for generations and then moving them to a whole different terrain. Because when you’re moving a community to another place, you’re not just moving the people but you’re ripping a culture out and traditions that were built and evolved around a specific geography. Rather than a few bureaucrats sitting around a table deciding what’s good or bad for an entire community, I think it’s good to actually involve the people or have a consultation with experts who can provide insight in the field of rehabilitation."
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Updated Date: May 28, 2018 15:12:15 IST