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It is always important to know the real story of the courtesans of Heeramandi shown in Sanjay Leela Bhansali’s period drama. Watching a film is one thing, but for appreciating a period drama, you need to know the back story. The story of Heeramandi is complex. And not many know that they were supremely powerful. The real story of ‘tawaifs’ inspired Sanjay Leela Bhansali’s directorial, Netflix’s Heeramandi. But what went behind the making of this lavish masterpiece?
Sanjay Leela Bhansali’s much-awaited foray into the world of OTT platforms with Heeramandi has finally arrived, garnering praise from both audiences and critics alike. The series, comprised of 8 episodes, immerses viewers in a meticulously crafted rendition of Lahore from the early 1900s, capturing the essence of the era with unparalleled detail.
From the lavish lifestyle of the tawaifs to the intricate calligraphy adorning city walls and storefronts, every aspect of Heeramandi takes viewers back in time, making everyone relive the bygone era. What’s remarkable is the dedication behind the scenes, as it’s revealed that hundreds of workers dedicated nearly 10 months to recreate the Lahore of yesteryears under Bhansali’s vision.
Initially conceived as a 14-page concept by Bhansali’s friend, Moin Beg, two decades ago, the project underwent a transformative journey before making its way to the screen. Bhansali’s decision to adapt it for a series format allowed for the exploration of a multitude of characters and narratives, breathing life into a world rich in history and culture.
History behind Heeramandi
Going back to the history of Heeramandi, the series is set during the Mughal era and shows the pre-independence times when women predominantly from Afghanistan and Uzbekistan were brought to Heeramandi to perform Kathak dances to entertain the Mughal rulers.
Helmed by Sanjay Leela Bhansali, Heeramandi: The Diamond Bazaar is an eight-part series released across 190 countries on Netflix.
WATCH the trailer of Heeramandi here:
Lachmi Deb Roy is the entertainment editor of Firtspost, Network18. She reviews films and series with a gender lens. Her interviews are called 'Not Just Bollywood' because she takes huge interest in world cinema. OTT over theatrical releases is her preference unless and until its a King Khan film. She takes interest in fashion, food and art reviews too.