Manto, Nandita Das' upcoming biopic on controversial Urdu poet, selected for Un Certain Regard segment at 71st Cannes Film Festival

Mumbai: Acclaimed Indian actress-filmmaker Nandita Das’ directorial Manto, a biographical on controversial Urdu writer Saadat Hasan Manto, has made its way to the Un Certain Regard segment of the prestigious 71st Cannes Film Festival. The team is ecstatic. [caption id=“attachment_4429725” align=“alignnone” width=“825”]  Rasika Dugal and Nawazuddin Siddiqui in Nandita Das’ Manto. Facebook[/caption] The official line-up was announced by the festival’s artistic director Thierry Fremaux in Paris on 12 April. A historical period drama about Manto, who is known for his writings around the partition of India and Pakistan, is the only Indian film competing in the Un Certain Regard category of the gala, to be held from 8-19 May. Nandita, who has been a jury member at the movie jamboree twice — in 2005 and 2013 — had last year introduced Manto to the Cannes audience via In Defence of Freedom, a prelude to the feature film. Now heading to the fest with the film in full form, Nandita’s happiness knows no bounds. “We are in Cannes! Manto is selected in the official section Un Certain Regard. Exciting moment for the entire crew and cast,” tweeted the filmmaker, whose 2008 directorial debut Firaaq, based on the aftermath of the Gujarat riots, was also screened at Cannes.

We are in Cannes!! #Manto is selected in the official section- Un Certain Regards. Exciting moment for the entire crew & cast. @Viacom18Movies @HP @ajlucio5 @vikbatra @mantagoyal @Nawazuddin_S @RasikaDugal @chintskap @SirPareshRawal @tahirbhasinfc @Javedakhtarjadu @gurdasmaan https://t.co/Rfva438Kpc

— Nandita Das (@nanditadas) April 12, 2018

Nawazuddin, who plays the bespectacled Manto in the eponymous film, is also excited. “‘And it is possible that Saadat Hasan dies, but Manto remains alive’. Glad to inform that Manto is selected for competition at Cannes 2018 in Un Certain Regard section. Congratulations Nandita Das and Team Manto.”

“And it is possible that Saadat Hasan dies, but MANTO remains alive”.
Glad to inform that ‘MANTO’ is selected for competition at #Cannes2018 in #UnCertainRegard section.
Congratulations @nanditadas and Team #Manto pic.twitter.com/LBKcSVb1vb

— Nawazuddin Siddiqui (@Nawazuddin_S) April 12, 2018

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Actress Rasika Dugal, who essays Safia Manto — the protagonist’s wife — told IANS, “It will be such an honour to present our film there. In the times we live in, a film which strongly defends freedom of speech, should reach a wide audience not just in our country but across the world.” Rasika added that the film speaks of “fearlessness with sensitivity and that’s something to nurture and celebrate”. The film also features Tahir Raj Bhasin as Shyam Chaddha, Manto’s friend, confidant and inspiration for a number of stories; Rajshri Deshpande as author Ismat Chughtai and veteran actor Rishi Kapoor in a cameo. The background score is by table maestro Zakir Hussain, with music composed by Sneha Khanwalkar. The Un Certain Regard is a competition section separate from the Cannes fest’s main Palme d’Or competition section. Manto will compete with Bi Gan’s Long Day’s Journey into Night, Andrea Bescond and Eric Metayer’s Little Tickles, French-Morrocan director Meyem Benm’Barek’s Sofia and Ali Abbasi’s Border, among others. Some Indian titles that have been screened in this section earlier include Gautam Ghose’s Antarjali Yatra (1987), Aribam Syam Sharma’s Ishanou (1990), Shaji N Karun’s Swaham (1994), Ashim Ahluwalia’s Miss Lovely (2012) and Neeraj Ghaywan’s Masaan (2015). In 1999, Murali Nair’s Marana Simhasanam won the Camera d’Or for best first feature in the Un Certain Regard section. The Cannes Film Festival will this year open with Asghar Farhadi’s Spanish-language thriller Everybody Knows, starring Javier Bardem, Penelope Cruz and Ricardo Darin. Among the films in the special screenings section are Gilles Porte’s documentary The State Against Mandela and The Others, 10 Years in Thailand and Wim Wenders’s documentary Pope Francis - A Man of his Word. Netflix has boycotted the festival to protest films produced by streaming platforms from being banned from the competition section. At a press conference, Fremaux answered questions about the lack of women in the line-up, offering his usual reply that the festival has to deal with the titles that are being submitted. He also said how the gala will never be the same after Hollywood’s sexual scandal following the exposure of producer Harvey Weinstein, describing it as an “earthquake” moment for the industry, hollywoodreporter.com reported. “The world will never be the same again, the Cannes Film Festival will never be the same again,” Fremaux said, adding that the movement sparked by the allegations against Weinstein had also caused an internal evaluation by the festival itself. “We will discuss our own practices with the festival team. We will discuss equality of salary, we want to question our own process about the parity of the juries,” he added.