Astrid Kirchherr, photographer of The Beatles, dies at 81; Ringo Starr, George Harrison's wife tweet condolences

Astrid Kirchherr, the German photographer who shot some of the earliest and most striking images of the Beatles and helped shape their trend-setting visual style, died at age 81

FP Staff May 16, 2020 09:41:33 IST
Astrid Kirchherr, photographer of The Beatles, dies at 81; Ringo Starr, George Harrison's wife tweet condolences

Astrid Kirchherr, the German photographer who shot some of the earliest and most striking images of the Beatles and helped shape their trend-setting visual style, has died at age 81.

Astrid Kirchherr photographer of The Beatles dies at 81 Ringo Starr George Harrisons wife tweet condolences

The Beatles with Astrid Kirchherr. Twitter

She died Tuesday in her native Hamburg, days before her 82nd birthday, her friend Kai-Uwe Franz told The Associated Press. Her death was first announced by Beatles historian Mark Lewisohn, who tweeted Friday that Kirchherr made an “immeasurable” contribution to the group and was “intelligent, inspirational, innovative, daring, artistic, awake, aware, beautiful, smart, loving and uplifting.” According to the German publication Die Zeit, she died of a “short, serious illness.”

“God bless Astrid a beautiful human being,” Ringo Starr tweeted. George Harrison’s widow, Olivia Harrison, tweeted that Kirchherr was “so thoughtful and kind and talented, with an eye to capture the soul.”

Read their tweets below

Kirchherr was a photographer’s assistant in Hamburg and part of the local art scene in 1960 when her then-boyfriend Klaus Voormann dropped in at a seedy club, the Kaiserkeller, and found himself mesmerized by a young British rock group: The five raw musicians from Liverpool had recently named themselves the Beatles. As she later recalled, Voormann then spent the next few days convincing Kirchherr to join him, a decision which profoundly changed her.

“It was like a merry-go-round in my head, they looked absolutely astonishing,” Kirchherr later told Beatles biographer Bob Spitz. “My whole life changed in a couple of minutes. All I wanted was to be with them and to know them.”

Kirchherr had dreamed of photographing “charismatic” men and found her ideal subjects in the Beatles, especially their bassist at the time, Stuart Sutcliffe, a gifted painter. They quickly fell in love, even though she spoke little English and he knew little German.

“Stuart was a very special person and he was miles ahead of everybody,” she told NPR in 2010. “You know as far as intelligent and artistic feelings are concerned, he was miles ahead. So I learned a lot from him and because in the ’60s we had a very strange attitude towards being young, towards sex, towards everything.”

The Beatles in the early 1960s were nothing like the smiling superstars the world would soon know, and they seemed to have little in common with Kirchherr and her friends, young existentialists dubbed “Exies” by John Lennon. The rock group favored black leather and greased back hair and gave wild, marathon performances. The James Dean lookalike Pete Best was the Beatles’ drummer, and Paul McCartney was playing guitar, along with Lennon and George Harrison. (Best was replaced in 1962 by Ringo Starr, and McCartney moved over to bass when Sutcliffe left and became engaged to Kirchherr).

Kirchherr was liked and trusted by all of them, and her photographs captured a group still more interested in looking cool and “tough” than in being lovable. She took indelible black and white portraits, including John, Paul and George in leather and cowboy boots on a rooftop; all five with their instruments on an abandoned truck; and a moody closeup of John in an open fairground with Sutcliffe looming like a ghost in back. Self-portraits captured Kirchherr’s own distinctive looks — her high cheekbones anbestd closely cut blonde hair.

Here's Paul Best's tweet

Kirchherr had an indirect influence on the Beatles’ transformation. The collarless jackets the Beatles favored in the early days of Beatlemania were inspired by Kirchherr’s wardrobe; Sutcliffe, who was around the same height as she, had begun wearing her collarless tops. Meanwhile, Voormann had been so self-conscious about his large ears that he grew his hair longer to cover them. Kirchherr loved his new style, what became the Beatles “mop top” — hair brushed forward, without gel, a look favored by other young German artists — and Sutcliffe soon wore his hair that way. The others, after some resistance, followed along.

Her love affair with Sutcliffe was tragically brief. Sutcliffe collapsed and died of a cerebral hemorrhage in April 1962, at age 21. Kirchherr later married twice, including to the British drummer Gibson Kemp. Both marriages ended in divorce, and she would long say that she never got over Sutcliffe’s death.

“He was, and still is, the love of my life,” she told NPR in 2010. “I never, ever — and I was married a couple of times — met another man who was so fascinating, so beautiful, and so soft and well-mannered. You name it and that he was, and such a gifted artist.”

Over the decades following Sutcliffe’s death, Kirchherr worked as a freelance photographer and an interior designer among other jobs, and in recent years helped run a photography shop in Hamburg. She and Voormann remained close to the other Beatles. Voormann designed the cover of their Revolver album and played bass on many of their solo projects. Kirchherr’s Beatles photographs have been exhibited around the world, including at the Rock and Roll Hall of Fame in Cleveland. In the 1994 movie Backbeat, for which she served as a consultant, Kirchherr was played by Sheryl Lee and Sutcliffe by Stephen Dorff.

“Stephen is so much like Stuart it’s spooky,” she told The Washington Post in 1994. “Stephen has the same intensity when he talks to people. And he’s a very, very intelligent, very charming, very sexy boy. All the things I remembered Stuart had, Stephen has as well.”

(With inputs from The Associated Press)

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