Masterchef Kitchen Ke Superstar has everything - sad stories, filmi songs, a who's the most handsome judge poll, bright sets. Everything except enough cooking and food.
Hardly any of the films were straight-forward "American" this year at the Oscars.
From vanishing hosts to Michael Jackson noses to white tuxes, the Filmfare awards gave Rajyasree Sen plenty of reasons to be have nightmares galore. Here are her top ten.
Producers in the UK, and BBC in particular, have always been obliging and impeccable in their delivery of the Period drama duly injected with romance, intrigue, conspiracies, village politics and the oft-mandatory bloody murder.
For the brave attempt and the fabulous ensemble cast, the movie warrants a singular visit to the theaters, but unlike the novel or the momentous date it is built on, the movie won’t be making it to the history books.
If we suspect our partners, we should check their cars. That's what Rajyasree Sen learned from watching the new season of Emotional Atyachaar.
Like children who need a pacifier, the Muslim offering opinion on prejudice must hold out this lollipop to Indians whose natural view of him is coloured by his religion.
In a 'marriage of opposites' Kiron Kher talks about her choices and life with Anupam Kher. She doesn't mince words and tells it like it is - the up and down of marriage, growing apart, rivalry, all of it.
If ever there was a worse advertisement for women who’ve broken through the glass ceiling, it is Sudhir Mishra’s Inkaar. It's a sad day when Karan Johar and Abbas-Mustan depict women better than Sudhir Mishra.
Gangster Squad spells something between “OMGISTHISREALLYHAPPENING” and “OMGHOWCOULDTHEYDOTHIS”. It has so many things going for it, and yet, it somehow botches it all up.
Here's the "best of" list you must bookmark. Nikhil Taneja has seen all the films so you don't have to. And he's come up with the 20 best indie films, from India and beyond, that you've probably missed.
Australian actor-director Wayne Blair’s first full length feature film, The Sapphires is about four talented indigenous Australian girls who form a music group and travel to Vietnam to sing for troops in the year 1968, when racism was still rampant in Australia.
In his simplest film to date, Wes Anderson has let his heart take over his head and that makes his Moonrise Kingdom the rarest romantic comedy - romantic and a comedy. And Bruce Willis is adorable!
The only difference between Raid: Redemption and Dredd (3D) is that Dredd is about 45-times more expensive, and about a 100-times less interesting.
Killing Them Softly has all the ingredients of a classic and the star power of Brad Pitt. But this heist thriller set in New Orleans just tries a little too hard with its in-your-face social commentary.
You don’t need to be a sci-fi buff to love Looper, you just need to be a fan of great storytelling, although the sci-fi, action, comedy, suspense and horror can only help! And Bruce Willis kicks serious butt.
Affleck’s third feature film as a director, Argo, presents this unbelievable hostage rescue mission on screen as a taut, well-paced suspense thriller with so much palpable tension throughout that along with you and the entire audience, even the seats, the popcorn, the soft drinks and other inanimate objects are on edge.
Brian Klugman and Lee Sternthal are an American writer-director duo. They wrote 2010’s Tron: Legacy and have recently written and directed their first movie, The Words, about a writer who has to deal with the consequences of plagiarising someone’s work
Skyfall has all the classic Bond ingredients - breath-taking beauties, dizzying action, crackling dialogue, a terrific villain, and a man’s man in Daniel Craig. But if that was enough Agent Vinod would be the best film ever.
Ang Lee infuses ‘life’ into Life of Pi, a novel largely about a young man in the sea with a tiger for company, and one that has largely been considered unfilmable. And for once, the 3D actually helps.
What was Discovery thinking when it lent its name to Jab Tak Hai Jaan? Did it realise it was getting Anushka Sharma as the Discovery intern who steps on a bomb while listening to her iPod?
Stolen is such an uninteresting, uninspiring and unnecessary rehash of Taken that even the makers felt guilty enough to admit the truth about the movie’s origins in its name – the film is literally stolen from Taken.
The director of independent film 'California Solo' speaks about film making and making political statements through films.
Cloud Atlas does what so few movies can claim to do these days – it dares. It attempts to go beyond conventional techniques of storytelling and screenplay.
The director talks about his latest film which is about the tricky relationships between fathers and sons, working with Wagner Moura and the challenges the Brazilian film industry faces.
Our blogger Nikhil Taneja says if there were only one reason to watch Premium Rush, it would be Levitt, although the movie’s the Fast and Furious of bikes, so that’s a great hard sell.
Nothing has ever mesmerised the collective consciousness of Bollywood fans than a movie by Yash Chopra, says our blogger Nikhil Taneja.
Kirsten Sheridan is an Irish writer-director whose new film, Dollhouse, which screens at the Mumbai Film Festival, is an independent film about a night in the lives of a group of street teens from Dublin’s inner city, who break into a house in an upper class suburb.
James Ponsoldt's new film, Smashed, won the US Dramatic Special Jury Prize for Excellence in Independent Film Producing at 2012 Sundance Film Festival. Smashed, which is premiering at the Mumbai Film Festival.
Academy Award-winnning British film director, James Marsh, best known for his documentary film, Man On Wire, is out with a new movie, Shadow Dancer, that will premiere in India at the 2012 Mumbai Film Festival this week.