Sections
Shows
Events
Indian cinema and the Dalit identity: In Dhanush's 2019 film Asuran, the rise of a new national hero
Indian cinema and the Dalit identity: In Pariyerum Perumal, love is the only meaningful resistance in a caste-society
Indian cinema and the Dalit identity: Kaala represents resurrection of masses in world of cinematic stories
Indian cinema and the Dalit identity: Chamm spurs viewers to think rationally about emotional complexities of exploitation
Indian cinema and the Dalit identity: Kammatipaadam deftly unravels the connection between land and caste
Indian cinema and the Dalit identity: How Masaan confronts us with a truth caste norms would have us negate
Indian film and the Dalit identity: Perariyathavar is the cinema that a caste-society needs to become humane
Indian cinema and the Dalit identity: The groundbreaking defiance of Nagraj Manjule's Fandry
Dalit writing, global contexts: From JV Pawar to Manoranjan Byapari, examining the English translations of literary works from across India
A Dalit in the Sangh: Bhanwar Meghwanshi's disillusionment with RSS lays bare agenda of Brahmin colonisation
Memoirs of a Dalit Communist: RB More's writings offer critique of untouchability, Savarna communism
Mooknayak turns 100: How Babasaheb Ambedkar's Marathi weekly for Dalits came into being
Dalit writing, global contexts: The River Speaks by Bojja Tharakam stands as a poetic beacon against injustice
Dalit writing, global contexts: In ND Rajkumar's poetry, echoes of folk rhythms, myths and local history
Dalit writing, global contexts: S Joseph combines critique and compassion in My Sister’s Bible
Dalit writing, global contexts: The tour de force that is Manoranjan Byapari's Interrogating My Chandal Life
Caste Matters author Suraj Yengde: 'There's a new class of global Brahmin of each society'
