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Akshay Kumar backing Bhumi Pednekar's Durgavati may be a welcome change from him hijacking women's stories
Suhel Seth's return to Twitter says less about people believing women and more about how rich, famous men are protected
Out of Love review: Rasika Dugal's measured performance can't save this fest of cliches and melodrama
Sure, let's call Emma Watson 'self-partnered', but why are women so terrified of being single?
Section 375 isn't a bad film, but furthers a dangerously toxic 'message' in the garb of being nuanced
Scarlett Johansson doesn't owe political correctness to her fans regarding Woody Allen; all she owes us is good films
Big Little Lies: Meryl Streep's Mary Louise holds this haphazard season together, redefining the notion of 'villian'
Kabir Singh director Sandeep Vanga's problematic views on love and intimacy are worse than his films
Zaira Wasim quits Bollywood: An 18-year-old's decision should not be milked to score ideological brownie points
Murder Mystery review: Adam Sandler, Jennifer Aniston's Agatha Christie-style whodunit is crippled by lack of logic
India's 'social media sena's' reaction to Pakistan ad mocking Abhinandan Varthaman is self-righteousness on steroids
Hostages review: Sudhir Mishra's Hotstar show is a series of improbable, unintentionally comedic events
Wanted: Superhero with alt sexuality in films
Salman Khan's rants over Priyanka Chopra quitting Bharat are typical of Bollywood's toxic male entitlement
Wine Country movie review: Amy Poehler-led Netflix film has all the right ingredients but ends up being a let down
How India’s spark lit the Camp fire
The Endgame of women's empowerment
