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Midsommar movie review: Ari Aster disguises a break-up movie as folk horror in Hereditary follow-up
Atlantis movie review: Ukraine-set post-apocalyptic film is more commentary on dystopia than human drama
Wonder Woman 1984 movie review: Patty Jenkins's sincere sequel soars despite its flaws
The Last Color movie review: Vikas Khanna's picturesque film has the right intent, but not much else
Sir movie review: Rohena Gera’s film is a masterful romantic drama about a domestic worker and her employer
Notes from attending a 'digital' film festival: Wider audience and hope for sustenance of cinema
New York Film Festival 2020: Letter From Your Far-Off Country remixes the history of Indian protest
Looking back on Irrfan Khan’s performance in The Lunchbox, a role that celebrated the magnetic actor's strengths
Oscars 2020: A critical deconstruction of the acting category — who was nominated, and who should have been
Oscars 2020: Is the Best Picture category an endorsement for Hollywood or a genuine pick of the year's best films?
Oscars 2020: Which men were nominated for Best Director, and which women were left out?
The Irishman movie review: Martin Scorsese is the king of gangster films and this masterpiece adds to his legacy
Joker is a film that takes itself too seriously but ultimately amounts to a whole lot of nothing
Paani movie review: This Priyanka Chopra-produced Marathi film is part 'message' drama, part oddball romance
Jojo Rabbit movie review: Taika Waititi’s Hitler film is a delightful and heartfelt surprise, filled with raucous energy
Uncut Gems movie review: Adam Sandler leads a stressful, hyper-energetic masterpiece
Bulbul Can Sing: Rima Das’ Village Rockstars follow-up falls just short of being another masterpiece
