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Jalsa director Suresh Triveni responds to claims of his plot's convenience: Coincidence was a conscious choice
Reading the courtesan as a queer figure: Suffering at the heart of spectacle in films from Pakeezah to Gangubai Kathiawadi
In conversation with Christopher Doyle, cinematographer of Wong Kar-Wai cinema: How we react to spaces energizes the film
Jhund music review: Ajay-Atul make ample room for innovation in Nagraj Manjule's familiar territory
The curious contradiction of male muscularity in queer movies, from Dostana to Badhaai Do
Badhaai Do movie review: Bhumi Pednekar, Rajkummar Rao in a refreshing addition to the increasingly sanitised queer genre
Gehraiyaan music review: Instagram Reels make the songs float on surface, but were they ever meant to plunge deeper?
Pandit Birju Maharaj's ability to express 'feminine' threw light on the queer possibilities of Kathak
2021 Queer Roundup: Unassuming gayness of ACP Khan in Aarya over laboured representation in Chandigarh Kare Aashiqui
West Side Story movie review: Steven Spielberg musical is an empty spectacle
Sooryavanshi, Satyamev Jayate 2, Antim: A queer reading of the testosterone-driven, hyper masculine cinema
Ghostbusters: Afterlife movie review — Paul Rudd, Mckenna Grace in a lazy, nostalgic follow-up to 1984 cult classic
Hum Do Hamare Do movie review: Rajkummar Rao, Kriti Sanon's charm papers over weak conflict
Dash through? Rashmi Rocket’s comfortable feminism doesn’t ask the questions on trans sportswomen it needed to
Tabbar review: Ajiptal Singh's debut show on SonyLIV is a stunning Shakespearean family drama
Is Jeetu Bhaiya from Kota Factory queer? Notes on reading sexuality in narratives where it's not explicit
Cinderella approaches queerness — but only cautiously and aesthetically
