Sections
Shows
Events
The Satyasheel Deshpande interview | 'Gharana is not ghee that it should be pure; there is really no such thing'
Chaitanya Tamhane's The Disciple foregrounds the fundamental universal conditions of man as artist
2020, a year in Indian classical music: How the pandemic impacted patrons, practitioners and the art itself
TN Krishnan's music is a lesson in the aesthetic value of restraint, for Carnatic artistes to reflect on and emulate
As COVID-19 halts live performances, an opportunity for musicians to engage more deeply with their art
TM Krishna's The Edict Project is a stunning endeavour that doesn't fully transcend its technical challenges
The experiments and flamboyance of Pandit Jasraj: Examining the celebrated vocalist's Khayal legacy
On identifying ragas, and how the intoxicating and often frustrating challenge for a lay listener can become an obsession
Kamal Haasan-Tyagaraja row: Carnatic community's ire is symptomatic of its insularity and excessive conservatism
The Pavlova Project: A unique exhibition presents the life and work of legendary ballerina through her costumes
Dhrupad, across borders: American musician Jody Stecher on learning under ZM Dagar, taking up the sursingar
On embracing national pride in its many manifestations, and the notion of 'India, that is Bharat'
TM Krishna on the importance of small sabhas in sustaining Carnatic music, performing pro bono
Poignant Song: Lakshmi Shankar's biography is affectionate but let down by its ordinary, casual storytelling
Telling composers apart from posers
Odissi on High: A transnational production displays the dance form's synergy between male and female elements
The Musician and His Art: Deepak Raja's essays on Hindustani music deserve serious consideration
