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The Pushpa effect: Goldmine Telefilms head Manish Shah decodes the rise and success of dubbed South films
Inside the intimacy department of Gehraiyaan: Intimacy director Dar Gai and her team on the art of shooting sex scenes
From 83 to Bob Biswas, here's how prosthetic in Bollywood movies is created to aid modern-day storytelling
The Sameer Nair interview | Dubbed and subtitled content have always been there but adaptations make global shows Indian
Inside the Writers Room: Where too many cooks don't spoil the broth, but only make it soupier
Hot wheels, shiny dials, gearshifts that could launch you into orbits: Why I can't put a break on my love for Fast & Furious
Squid Game and Parasite aren't just massive South Korean crossovers, but also biting critiques of inequity
Kubbra Sait opens up on her international debut with Apple TV+ series Foundation
No Time To Spy: The question isn't who's the next James Bond, but do we even need another one?
Britney Vs Spears on Netflix offers no new insight, instead capitalises on singer's court case
Nikkhil Advani on making shows as diverse as The Empire and Mumbai Diaries 26/11
Kynpham Sing Nongkynrih on debut fiction Funeral Nights, a timely exploration of the Khasis
Promising Young Woman, The Great Indian Kitchen are both films with simmering feminism and everyday oppression
Luck By Chance, frantic buzz of film sets, and Mumbai film industry in all its grimy glamour
The Family Man: Raj & DK on moving action to South India, lack of women crew, and breaking character with Chellam Sir
Kate Winslet is being 'rediscovered' with Mare of Easttown; Oscar-winning actress was never lost to begin with
To hell and back: Rebirth of Lucifer on Netflix allowed the show to wreak heavenly havoc for two more seasons
