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Munich: The Edge of War movie review — Jeremy Irons, George MacKay in an elegant, often-engrossing historical thriller
420 IPC movie review: Low-key but engaging courtroom drama about a middle-class CA caught in financial scam
Last Night in Soho serves as a worthy nostalgia piece, but also warns against perils of living in the past
The wholesome, unadulterated joy of watching cinema in fragments — where parts are often greater than their sum
Bhavai movie review: Pratik Gandhi's Bollywood debut is a mostly innocuous, bland comment on religious hegemony
Only Murders In the Building review: A charming comedy-mystery spruced up exchanges between two generations
Joi Baba Felunath: How a child's misgivings about gods open Satyajit Ray's detective thriller on fake godmen
Ari Aster's Midsommar, the Scandinavian sun that rarely naps, and horrors set in blinding light
How The Life and Death of Colonel Blimp's ingenious opening sequence rewinds 40 years in its protagonist's life
Promising Young Woman: How a lilting, pop music-scored sequence opens Emerald Fennell’s remarkable film
In Titli and Mukti Bhawan, Lalit Behl's binary portrayals of two fathers who cast a tall shadow on their sons
Inside two Frank Langella takes on villainy: As Julius Hoffman in The Trial of the Chicago 7, and the evil Skeletor in He-Man
How a sense of place and the passage of time is created in two gentle films, Bombay Rose and Ottaal
Why Basu Bhattacharya’s Anubhav is one of the most formally distinctive Hindi films of its time
In Roger Corman’s A Bucket of Blood, a chilling, and funny, view of creative people as entitled predators
Revisiting Mayabazar: How the opening scene sets the tone for this classic about two princes and a mischievous God
In caring for stray animals during a pandemic, thoughts on the transformative relationships between humans and dogs
