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Kya Dilli Kya Lahore review: An unpolished gem, definitely worth a watch

May 03, 2014    

One of my biggest, long-running pet peeves against contemporary Indian cinema is our apparent love for bombastic, wall-to-wall background music. Our filmmakers encourage composers to accentuate every crest and trough in the story-graph with overpowering music that takes care to identify itself distinctively as happy, sad, ecstatic, devastating, sly or exciting, amongst other such moods. This practice has set up an eco-system that ensures that often expository writing and loud acting aren't nearly enough to convey the message to audiences; one needs the score to tell its own parallel story.Comp...

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