The master of high-voltage, low-key performances: Here are the best films of Sunny Deol - Firstpost
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The master of high-voltage, low-key performances: Here are the best films of Sunny Deol


Sunny Deol started his career in 1983 playing the guy who tames the wild Amrita Singh in Betaab. Known to deliver high-voltage low-key performances in films mainly by Rahul Rawail, Raj Kumar Santoshi and JP Dutta, this Deol has been struggling lately to find his bearings in the rapidly-changing atmosphere in Bollywood. As Sunny Deol’s new film Ghayal Once Again hits theatres, we look at his best films over the years.

Arjun (1985): Two years after his debut, Sunny Deol gave a remarkably restrained fine-tuned performance in this tautly-written Javed Akhtar script about a student who is waylaid and exploited by an evil politician (Anupam Kher). Rahul Rawail’s direction captured Deol in his most implosive avatar, creating sparks in the dark that ignite the screen even today. Sunny’s special friend Dimple Kapadia played his love interest. The film has a handsome supporting cast and made a powerhouse impact.

Arjun

Dacait (1987): Inspired by Jis Desh Mein Ganga Behti Hai and Ganga Jamuna, Dacait is Deol’s most powerful social statement to date. It touched on caste discrimination and social inequality and how these fostered a rebellious generation. Deol weas marvellously reined-in as the simple villager who transforms into a dreaded dacoit. The film featured two other powerhouse performances by Raakhee Gulzar as Sunny’s mother and Paresh Rawal as a corrupt cop. And to this day, it remains a gripping film from the first frame to the last. Unfortunately, it was not a box office success, as it was found to be way too dark and tense.

Dacait

Yateem (1988): With this tale of an orphan who is almost seduced by his foster mother (Sujata Mehta), began Deol’s association with JP Dutta. Like Rahul Rawail, Dutta knew which emotions to tap in the introspective actor to make his personality erupt into a volcano of angers. The film was underrated and rejected on release. Ishwar Bidri’s camara work gave a physical shape to Deol’s anger.

Yateem

Chaalbaaz (1989): A very rare comic outing for the ever-gloomy Deol, and that too in a female-centric film. For once, Sunny didn’t mind taking a backseat, as the woman at the helm was the one and only Sridevi. Even Rajinikanth played second fiddle. Sunny and Rajini enjoyed encoring Sanjeev Kumar and Dharmendra’s roles from Seeta Aur Geeta.

Chaalbaaz

Ghayal (1990): Considered the most important hit of Sunny’s career, Ghayal began his association with director Raj Kumar Santoshi. The film, a blood-soaked vendetta tale, featured Sunny as Ajay Mehra who goes on a rampage when the villain Balwant Rai (Amrish Puri) kills Ajay’s brother (Raj Babbar). Not as wonderfully scripted as Arjun or Dacait, Ghayal nonetheless is the biggest hit of Sunny’s career. It took on Aamir Khan’s hit Dil at the box office and outdid its collections.

Ghayal

Narsimha (1991): The very violent and influential cinema of N Chandra came to this film after Chandra’s smaller but more impact-filled Ankush and Pratighaat. Narsimha saw Sunny as a drunken waylaid right-hand man to a tyrannical politician in dark glasses mysteriously named Baapji (Om Puri). There were interesting conflicts running through the plot, though finally these conflicts didn’t work themselves out. Nonetheless, an interesting performance by Deol.

Narsimha

Damini (1993): The role of the sozzled lawyer who fights the rape victim’s case was inspired by Paul Newman in The Verdict. Deol, who has never touched a drop of alcohol in his life, took on an extended cameo of the tipsy lawyer in this Meenakshi Sheshadri vehicle because of his faith in the director Santoshi. It paid off.

Damini

Ghatak (1996): My personal favourite among all of Sunny Deol’s films, Ghatak featured him as a Varanasi–bred idealist, who is confronted by monstrous corruption in the city when he has to migrate for the sake of his ailing father. The father-son sequences between Deol and Amrish Puri were masterful in their portrait of unexpressed devotion and love. Director Santoshi offered this role to Sunny after Kamal Haasan was unable to do it.

Ghatak

Gadar: Ek Prem Katha (2001): A mammoth pre-Partition melodrama where Sunny sets off across the border to bring his wife Ameesha Patel back from Pakistan, the film’s passionate patriotism made it one of the biggest box office successes in the history of Bollywood. Gadar was released on the same Friday as Aamir Khan’s historic Lagaan and actually made money in the long run (pun intended).

Gadar

23 March 1931: Shaheed (2002): Sunny was cast as freedom fighter Chandrashekhar Azad while his kid-brother Bobby played Bhagat Singh. The film got buried in the heap of Bhagat Singh biopics. But Sunny was in splendid form as a real-life historical figure, bringing into play all the righteous indignation of Arjun , Ghayal and Ghatak into one line of vision.

Shaheed

First Published On : Feb 7, 2016 12:00 IST

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